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Then some unknown genius figured out that if you strap a bag onto your back, you double your toting capacity, and leave your hands free to get work done. Historically, surnames evolved as a way to sort people into groups - by occupation, place of origin, clan affiliation, patronage, parentage, adoption, and even physical characteristics (like red hair). Until backpacks came along, we only used half of our bodies: the front half. The real audience of these kinds of messages is not ET, but humanity. Sprengelmeyer's own artwork is featured as the album cover.High-quality Golden Saturn backpacks designed and sold by independent artists. In the scope of my personal life, this record will likely have a similar significance.' And as far as I'm concerned, the Voyager record might be one of the most poignant and beautiful and futile gestures of communication we humans may ever create. In an interview with The 405 magazine, Sprengelmeyer elaborates, saying 'I'm a sucker for tragedy. The album is named after the Voyager Golden Records, phonograph records that were included aboard both Voyager spacecraft launched in 1977, the contents of which were selected by Carl Sagan.

THE STAURN GOLDEN RECORDS HOW TO

Unlike her previous efforts, Sprengelmeyer also increased her involvement on the technical side of the recording process, learning how to engineer her record. Sprengelmeyer approached the album making process 'as a painting and building up layers and atmosphere'. The nice thing about that was that it meant we got to take a lot of time to listen carefully and think about arrangements and atmospheres for each song.' Of the recording process, Sprengelmeyer states 'Because of Richard's schedule the recording process got spread out over a long period of time, almost a year and a half. In this stunning animation, watch NASAs Cassini spacecraft begin the last chapter of its 20-year mission to Saturn.

Recording for The Golden Record began in 2009 with producer Richard Reed Parry of the band Arcade Fire. I kind of like to think of this album as a greatest hits record of my first three albums of unreleased material.' They remained unrecorded and unreleased until Sprengelmeyer 'forced herself to get over a painful fear of performing.' Recording The songs on the album were written between 20, with Laurel Sprengelmeyer stating 'At least two songs were ones conceived in their original format by my little sister and for our first band, Big Unit.

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